Landscape with no Land on Nov 30th 2025, Concert-apéritif at the Philarmonie with d’Frënn fun de Lëztebuerger Philarmoniker

I am pleased to inform you that on Sunday November 30th, at the Philhamonie of Luxembourg, the friends of the Philharmonie will play my last piece Landscape with no land. This is a sextuor for piano and winds. Exceptionally I will be on stage playing piano in my own piece.

More info and reservation on the site of the fiends of the philharmonie by clicking here

More info and reservation on the site of the philharmonie by clicking here

Exolandscape at the CAPE with the Luxembourg Philharmonic – November 13th 2025

Tatsiana Zelianko : Exolandscape (creation, command from the Ministère de la Culture)
Ludwig van Beethoven : Concerto pour piano n° 4 op. 58
Ludwig van Beethoven : Symphonie n° 4 op. 60

With Elisabeth Brauß at the piano and Ustina Dubitsky at the conductor’s podium, two exceptional musicians from across the Rhine lead this seasonal concert of the Luxembourg Philharmonic Orchestra at CAPE Ettelbruck. Praised for the maturity and refinement of her interpretations, the young pianist Elisabeth Brauß continues to impress critics. As for conductor Ustina Dubitsky, she currently leads prestigious orchestras across Europe.

Info and tickets:

https://www.philharmonie.lu/en/programme/2025-26/beethoven-4-000000e90019f8ba

https://cape.lu/luxembourg-philharmonic/14258

The site’s been updated with pictures free of use to accompany articles on Tatsiana Zelianko or her music.

Enjoy the visit

Soundgardening – von Walzerköniginnen und Marschweibern – concert on June 8th 2025

The starting point of SOUNDGARDENING, an open-air concert with historical roots, is the music of Luxembourg’s first female composer: Josephine Schmoll (1836-1925). The 100th anniversary of her death is an occasion to honour this composer, who was well known beyond the borders of Luxembourg during her lifetime.

Schmoll engaged with both classical and popular and entertaining music, the latter allowed her to reach a wider audience. In the 20th century, two other female composers continued this tradition of working in two fields: Helen Buchholtz (1887-1953) and Lou Koster (1889-1973). Their light music was often played outdoors.

These three composers have something else in common: they often gave atmospheric titles to their music that expressed their personal relationship to landscapes, gardens, animals and plants. And they often chose the form of the waltz or the march to convey these musical atmospheres inspired by nature.SOUNDGARDENING builds a bridge to contemporary music: Inspired by Rosenmär, a text by Luxembourgish poet Nikolaus Welter, Tatsiana Zelianko has composed a new Nocturne, taking up a musical form that was often played in gardens at night in the 18th century (world premiere).

More info here

Date and time: 8 June 2025 – 15:00-17:30
Venue: Municipal park Edouard André, Luxembourg
Price: Free of charge
Registration: http://tickets.luxembourg-ticket.lu/38401

The list of compositions has been added.

You can navigate the site or click here.

Charity Concert – Esch sur Alzette – Conservatoire – Tuesday April 1st 2025 19:00

I am so please to announce the charity concert taking place April 1st 2025 at the Conservatoire de Musique de la Ville d’Esch sur Aliette at 19:00.

At this concert, pieces from Ravel, Schumann, Debussy, Bruch, Beethoven and mine will be played.

I am delighted to be mixed with all these great composers and hope to see a large audience.

The benefits will go to the musicotherapy of SOS Kannerduerf Mersch.

More information and tickets booking here.

Diabelli Recomposed – Polish Edition – February 4th 2025 – 12:00 – Bytom

Diabelli Recomposed is played a second time in Poland, in Bytom.

17 female pianists interpret Diabelli recomposed.

Concert on the occasion of the 80th anniversary of the Fryderyk Chopin General Primary and Secondary Music School in Bytom: Diabelli Composed Project.

On the occasion of the 80th anniversary of the establishment of the Fryderyk Chopin General Music School of the 1st and 2nd degree in Bytom, a concert will be held on February 4, 2025, which will remain in the memories of the participants for a long time. 50 short variations composed by women from 23 different countries will be presented in the school’s concert hall.

The project that became the basis for this event was realized by a graduate of the school, Claudia Bigos, a piano teacher in Braunschweig (Germany). The aforementioned 50 variations are part of a broad musical project that combines contemporary works of female composers with the musical tradition from two centuries ago.

In 1819, the Viennese publisher and composer Anton Diabelli approached a dozen or so leading composers of the era, including Beethoven, Czerny, Hummel, and Schubert, with a proposal to write one variation each on his Waltz in C major for a planned collective edition for piano. Beethoven was initially reluctant to accept the project, then, as usual, he delayed fulfilling his promise, but after a long time he offered Diabelli a gift as unexpected as it was magnificent: a grand cycle of 33 variations. The delighted designer published Beethoven’s work separately, of course, in 1823, as 33 Veränderungen über einen Walzer von Anton Diabelli, Op. 120.

During the concert on February 4th in the concert hall of the General Music School in Bytom, a competing project will be performed. 200 years later, in 2019, Claudia Bigos approached 50 female composers from around the world with the proposal to compose variations on Anton Diabelli’s Waltz.

The result of this project is a fascinating collection of 50 pieces in various styles and with varying degrees of difficulty, which are a testimony to the richness and diversity of contemporary women’s music. In Bytom, during a concert, all these pieces will be presented by students and teachers of the F. Chopin General Secondary School of Music.

This event is not only a musical experience, but also an expression of support for equality in music and the promotion of women’s creativity on concert stages. The organizers invite all those who believe in the value of women’s creativity and want to support the presence of music composed by women in concert repertoires.

During the concert, Claudia Bigos herself confirmed her presence and shared her experiences related to the implementation of this extraordinary project. This event will certainly be a unique artistic experience that will remain in the memory of Bytom residents and music lovers for a long time.

source: https://www.gov.pl/web/osmbytom/04022025-koncert—projekt-diebelli-recomposed

December 1st 2024, MUSIC AND GENDER IN LUXEMBOURG features Tatsiana Zelianko

I am very proud to announce that MUGI is featuring my work and biography on their website.

I invite you to get to know more about what the important work that they produce to promote the female musicians and composers in Luxembourg, by reading this brief intro and connecting to their website. Enjoy the discovery.

MUSIC AND GENDER IN LUXEMBOURG

The project, jointly initiated by the University of Luxembourg and CID | Fraen an Gender, aims to research music history from a gender perspective. In cooperation with the Hochschule für Musik und Theater Hamburg (Hfmt) and the Hochschule für Musik Franz Liszt Weimar, who are in charge of the project MUGI (Musik und Gender im Internet), as well as with the Centre national de l’Audiovisuel and the Centre national de Littérature, we:

• create digital collections on women musicians in Luxembourg,
• provide material from various public and private archives in order to make it internationally accessible,
• create new archives and hold oral history interviews with female musicians,
• research this data and publish the outcomes,
• present the results in a multimedia form on the portal MuGi.lu and
• initiate pedagogical projects and new musical performances.

For more information, visit https://history.uni.lu/mugilu/.

December 1st 2024 – Round table and Träume recital at Helen Buchholtz – 14:45

The Helen Buchholtz Salon is the perfect place to meet female composers from past and current times. The hostess of the Salon, Helen Buchholtz (1877-1953) was one of the first women in Luxembourg to devote her life exclusively to musical creation.

During a round table, chaired by radio 100.7, Tatsiana Zelianko and Nigji Sanges will explore the challenges, opportunities and innovations that have marked the progress of women in the field of musical composition. Through a dynamic dialogue between past and present, this discussion will highlight the remarkable achievements of female composers from past and present times, while examining prospects for the future of musical composition.

The day will end with the new recital Träume, conceived and performed by German soprano Gerlinde Sämann and pianist Claude Weber, which will include compositions by Tatsiana Zelianko among other dreamlike works.

More info here